The Chaos of Sam Levison: “Malcolm & Marie” Deserved A Black Writer
Writer Kimberlean Donis reviews Netflix’s latest film, “Malcolm & Marie.”
Writer Kimberlean Donis reviews Netflix’s latest film, “Malcolm & Marie.”
Lily Goldberg shares her raw thoughts and qualms with Charlie Kaufman’s newest surrealist film, “I’m Thinking of Ending Things.”
Writer Merrill Watzman writes about “The Love Witch,” the 2016 camp feminist horror film.
Writer Sophie Wilson defends her favorite trashy horror movies… all found on Netflix.
Writer Nicolaia Rips tells us the least and the most “worth it” articles she’s been sent this quarantine in her latest installment of “TL;DR.”
Did “The Clique”‘s Massie Block walk so Blair Waldorf could run? Writer Irine Le argues the importance of the book series and movie adaptation for “I swear it’s not that bad.”
“The Bee Movie” is so much more than a medium-successful animated film—it is a cultural phenomenon, the inspiration for many meme-makers, and a children’s film about capitalism.
Introducing Crybaby’s first film review series, “I swear it’s not that bad,” where our writers argue for their favorite bad movie… First up, our editor-in-chief Remi Riordan defends Netflix’s “The Kissing Booth.”
“Fetch the Bolt Cutters” is anything but conventional and in its embrace of the avant-garde, it simultaneously seems to mourn the normalcy we are leaving behind while striding pluckily into the new one.
St. Augustine of Hippo, a Catholic theologian and philosopher, once said, “If there was no good in what is evil, then the evil simply could not be.”