The Crybaby Team is stuck inside with so much to do! We did a little Q&A about how we’ve been spending quarantine… what we’ve been watching, reading, crafting, and of course, baking. We hope you get some great recommendations and tips!!
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“Fetch the Bolt Cutters” is the Perfect Album for Isolation
“Fetch the Bolt Cutters” is anything but conventional and in its embrace of the avant-garde, it simultaneously seems to mourn the normalcy we are leaving behind while striding pluckily into the new one.
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Trend Forecasting and The Recycling of Style
Writer Sara Radin writes about the recycling of trends, style nostalgia, and Depop. Accompanying photo story by Hana Mendel.
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Popaholics in the time of pandemics
Writer Lily Goldberg writes about skin picking, pimple popping, and Reddit in the time of the Covid-19 pandemic.
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On the Dichotomy of Good and Evil: A Review of “Corpus Christi”
St. Augustine of Hippo, a Catholic theologian and philosopher, once said, “If there was no good in what is evil, then the evil simply could not be.”
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A Sort of Love Story: Emma and Harriet in “Emma.”
“Emma.” is a love story and truly there are many weaved into the plot, yet the most consistent and forgiving and intimate is the one between Emma and Harriet.
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Mavi opens the windows to his soul
Writer Jourdan Taylor interviews Mavi, an up-and-coming D.C. rapper. His is debut album, “Let The Sun Talk,” features 32 minutes of soulful, inspired, and most importantly, progressive hip-hop.
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Thou Shall Not Kill: A Review of “Incitement”
Editor-In-Chief Remi Riordan reviews “Incitement,” a film that takes a look at the true story of the years leading up to Prime Minister Yitzhak Rabin’s assassination and the radicalization of young university students including Rabin’s assassin, Yigal Amir.
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BENEE’s sound is like a crisp apple (just ask her)
Story Editor Zoe Allen chats with the Kiwi popstar about her sound, style, her two-EP 2019, what’s next and why her music is like a “crispy apple.”
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The Quiet and Powerful Mundanity of “The Assistant”
“The Assistant” is very clearly a film referencing the #metoo movement within the film industry. It is a film that tries to shut down the question that sexual abuse apologists and deniers have used for so long—why didn’t she say anything?
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