“The Assistant” is very clearly a film referencing the #metoo movement within the film industry. It is a film that tries to shut down the question that sexual abuse apologists and deniers have used for so long—why didn’t she say anything?
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Review
The Humanity Within “Two Popes”
Editor in Chief Remi Riordan offers her thoughts on the complexities and beauty of Fernando Meirelles’ Golden Globe Winner, “The Two Popes.”
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Revisiting “Paris is Burning”
Story by Zoe Yu Gilligan In honor of the 50th anniversary of the Stonewall Riots, Film Forum in New York City and Landmark’s Nuart Theatre in Los Angeles have been screening Jennie Livingston’s “Paris is Burning”, a 1990 landmark documentary about the city’s “Golden Age” of ball culture in its last years. It won the…
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TL;DR 2
In the second installment of TL;DR, Nicolaia Rips rounds up and reviews the best and worst content people text her.
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The many facets of Jordan Peele’s “Us”: a review
Writer Sebastian Porreca reviews the nuances of Jordan Peele’s latest horror film, “Us.”
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The power of “Captain Marvel,” the power of women
Story Editor Zoe Allen reflects on the importance of Marvel’s latest superhero, Captain Marvel.
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Album Review: FIDLAR’s “Almost Free”
Annie LeMonnier reviews FIDLAR’s sophomore release, “Almost Free.”
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Maggie Rogers is “Back in (Her) Body”
Maggie Rogers’ debut album “Heard It In A Past Life” came out last week, with her performing a live show in LA the night before.
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On being the cowboy: a review of Mitski’s “Be the Cowboy”
Crybaby writer, Richelle Chen reviews Mitski’s latest album “Be The Cowboy.”
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