Dallas singer Sara King partners with Crybaby Zine for a third time with her video premiere of “Velvet,” a sultry, sexy single.
Read MoreMusic
A reflection on the unrealistic expectations we have for musicians
Story Editor Zoe Allen dissects the public’s need for never ending new music from their favorite artists.
Read MoreUnder Her Spell: In Conversation with Raveena
Zoe Yu Gilligan interviews Crybaby’s Obsession Issue cover star, Raveena Aurora on her album “Lucid,” being an Asian-American women in music, healing and spirituality, her creative process, love as a verb, and of course, obsession. Photographed by Dana Trippe.
Read MoreA 90’s Los Angeles Exception: Brian Bell of Weezer
Lee Phillips interviews Brian Bell of Weezer on obsession, music, making it Los Angeles and everything in between.
Read MoreYou Should Be Dancing: A Defense of Disco
Managing Editor Zoe Yu Gilligan writes about her love of disco, its political history, and why we should all be dancing.
Read MorePREMIERE: CJ Harper & Lucien Frank Collaborate on Four AM – Destination
Crybaby is premiering the collaboration of CJ Harper and Lucien Frank. The music (by Harper) and visuals (by Frank) come together beautifully in this special and thoughtful video.
Read MorePREMIERE: “Bodiez” by Sara King
Written by Dallas based singer Sara King in December, “Bodiez” is as aesthetically enticing as it is musically. King stays true to form in a custom neon green ruffle dress designed by Ramisha Sattar; sensual, sultry and trendy. King performed the demo version of her latest single when she opened for Banes World in California…
Read More“Adulting” with Sofia Wolfson
Conor Hudnut chats with Los Angeles singer Sofia Wolfson about what “Adulting” means to her.
Read MoreAsian American women are redefining alternative music
Story Editor Mica Kendall pens her appreciation and love for four Asian American women who are changing alternative music in her first Crybaby piece.
Read MoreKing Princess: an ode to the tired, but fighting college artist
Writer Irine Le pens an ode to King Princess, the 20-year-old singer that uses her voice not just in the recording studio, but to fight for representation for underrepresented groups.
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