
The Importance of “The Love Witch”
Writer Merrill Watzman writes about “The Love Witch,” the 2016 camp feminist horror film.
Writer Merrill Watzman writes about “The Love Witch,” the 2016 camp feminist horror film.
Writer Sophie Wilson defends her favorite trashy horror movies… all found on Netflix.
Writer Nicolaia Rips tells us the least and the most “worth it” articles she’s been sent this quarantine in her latest installment of “TL;DR.”
Did “The Clique”‘s Massie Block walk so Blair Waldorf could run? Writer Irine Le argues the importance of the book series and movie adaptation for “I swear it’s not that bad.”
At a time of isolation, writer Zea Asis recalls an encounter with a stranger on the way home.
Writer Mehrnaz Tiv writes about the anxieties that come with leaving college abruptly and returning to your childhood bedroom filled with mirrors and body image issues.
Art Director Tina Tona chats with filmmaker Tayarisha Poe about her debut feature, “Selah and the Spades,” her many inspirations, and the world she created.
This week, New Yorker daily shouts contributor and avid knitter, Pia Mileaf-Patel shows us how she knits her sweaters.
Writer Lily Goldberg argues that quarantine is the perfect time to bring back “The Aristocrats,” a famous dirty joke that originated on burlesque and vaudeville stages in the early 20th century.